Crisis on the Leng Plateau: the Struggle for the Soul of American Horror

A good read if you live and breath the Weird as I do…

Zombie Salmon (the Horror Continues)

Maybe it’s Lovecraft’s fault… After all, he did it so well.

But lately I figure somewhere there must be an explanation as to why in contemporary American Horror, the weakest point of the story tends to be the monster. I’ve fallen for blurbs, for cover art, for Famous Horror Writer recommendations. Yet time and again the monster just isn’t scary, or eerie, or haunting. If I come away with any manner of emotional displacement, the author (or the concept) tends to be from an earlier period of Horror history, or not to be American at all.

Could it be that we are so excited about what we hope to write that we forget WHAT we are writing? Are we that ignorant of our own genre history? Is it possible that we don’t even know what genre writing is anymore?

Monsters – By ANY Other Name

The genre of Horror has…

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